“Asian Immigrants: Actors in Society” by Ronald Takaki
3) Interspersed between numerous poems, Ronald Takaki, in this excerpt “Asian Americans: Actors in History” uses a variety of examples to illustrate his thesis of Asian Americans having a dramatic impact on American history, and their needing to speak out about this American history as well as their Asian roots.
First, Takaki uses the example of Japenese-Americans needing to speak out about the internment of Japanese during World War II, and the dramatic impact this had on congressional hearings about the internment camps. Indeed, the survivors were eventually awarded $20,000 each by the Reagan administration. Second, Takaki discusses the ways Asian-Americans are using their culture in art, such as fiction and scholarly writings, and a one-woman show. Third, more Asian-Americans are questioning the stereotypes and labels they were handed in
Asian-Americans have a rich and storied history in the
“Life on the Global Assembly Line” by Barbara Ehrenreich and Annette Fuentes
2) By looking at where Barbara Ehrenreich and Annette Fuentes’s article “Life on the Global Assembly Line” was printed — the magazine Ms. — it is clear that there will be at least one common factor uniting the audience of this magazine: womanhood. Moreover, because Ms. is a feminist publication, the likely female readers of this article will be liberal, probably well-educated women.
Thus, Ehrenreich and Fuentes use high-level, but not pretentious, diction to get their point across, and direct this diction to liberal women. The pronoun “she” is heard continually throughout the article and female workers are at the heart of the writing. For example, when the authors relate the group fainting of female workers due to toxic chemicals, they surely are aware of the female-connotations of the description of “mass hysteria” (154).
Additionally, because the audience is predominantly liberal, it is easier for the authors to take a strong, anti-business stance in their diction. Few Ms. readers would object to the classification of multinational corporations as shady, cutthroat dealmakers with no concern for human welfare. A strongly conservative audience would be far more skeptical, and require much more convincing (if they were to be convinced at all) that this is truly the case.
Lastly, because the audience is well-educated, the authors are able to not spend a lot of time describing deferent terms or processes or explaining the different international players involved. For example, the United Nations, National Institute on Occupational Safety and Health, and other groups are quickly glossed over; a less-educated audience would require more explanations as to what these organizations are and how they’re important. This is not to say the author write at too high of a level. They use the elementary school example of $3.10-$5 an hour being cheaper than $3-$5 a day to illustrate why companies are moving oversees, for goodness sakes. However, the authors are dealing with complex ideas here, and the relative brevity of the article demonstrates that they trust the audience to grasp these ideas quickly.
“The Culture of
8) One day while I was watching “Real Time with Bill Maher” he raised an interesting point about how disgusted he was with the show “Road Rules” on MTV and how it must be horrible for any other country to watch it. Though I dismissed his opinion fairly quickly, and still believe it’s an overgeneralization of why the world hates us, I now see there is much in the show that would send a negative, untrue image of life in
First, anytime MTV casts anybody in a reality show, they are looking for one thing: drama. Thus, instead of getting a random, accurate sampling of American youth, what ends up making it onto TV are hypersexual, extremely confrontational, irreverent brats, basically, who show Americans simply as selfish, lascivious teenagers. This is not to say that our youth, or our society as a whole, is entirely devoid of these vices, but certainly not in these concentrations.
Second, many of the contests themselves play out like the seven deadly sins, making it seem like our society awards horrible behavior (which, I suppose, in some respects it does). For example, on one ignominious episode, contestants were required to force-feed themselves as much food as possible in a one-hour period to try to gain as much weight as possible; afterwards, all contests made themselves vomit up their disgusting fill. I cannot imagine being a struggling parent in countries with inconsistent food supplies, watching people binge and punge as I’m struggling to keep my children alive. Other episodes throw lust and pride into the mix, so gluttony doesn’t get left alone. Plus, the whole game show is based on greed anyway, giving the whole show an overarching sinfulness that would make Dante proud.
Lastly, the show doesn’t show any repercussions for negative behavior. Instead of reading like the cautionary tale it should, the show tends to award the greediest, most spiteful, most shameless contestant with the big prize at the end. Certainly this gives worldwide viewers a poor glimpse at how, in everyday society, the shameless backstabbers hopefully end up.
American culture has much to be hold up as an example of a positive contribution to society. MTV’s “Real World,” and in many ways MTV as a whole, just isn’t one of them.